Our Work

2025
CENIZAS
Conceived in 2025, CENIZAS dialogues with the 80th anniversary of the atomic bomb on Hiroshima, proposing a bodily reflection on destruction, resilience, and transformation. It is not a linear narrative, but a territory of tension where the body becomes a living archive.
The influences of Butō traverse the entire journey of the two performers on stage: from the matter of the body to its dissolution, between latent passion, struggle of forces, and a delicate dimension of mothering that sustains and suspends everything. From white to black… a sea of grays.

2025
MATERIA PRIMA / SIN ROSTRO
A butoh and dance-theatre performance that explores the impossible bond between the artist and their unfinished work. It does not stage an external conflict; instead, it exposes an inner process: the constant struggle between the impulse to create and the inability to complete.
SIN ROSTRO reflects on the identity of the creator when the work remains unfinished. Who is the artist without a completed piece? What happens when creation becomes a permanent state of incompletion? The performance offers no fixed answers. Instead, it exposes the open wound of making art. It is a radical act of vulnerability and resistance: to continue creating, even when the work may never be finished.

2025
MENÚ2 SIN VERGÜENZA
A Butoh and Theatre of the Absurd performance in three acts: One table. Two bodies. Only ritual. Perhaps no dialogue at all.
At the table they bite, lick, eat, touch... and descend into the grotesque. Each act is a passage: from desire to ruin, from taste to nausea, from eros to death, to the GAME of dying. A visceral feast for those who are hungry for everything.

2025
VERMI/WORMS
WORMS — a Butoh performance. A ritual rooted in the soil. A slow crawl toward shedding the self.
WORMS — a Butoh performance. A ritual rooted in the soil. A slow crawl toward shedding the self. Toward flight, without wings. Toward rot, and resurrection. A body that dreams of becoming more than meat.

2026
THE SHOW MUST GO ON
We don't believe in labels. We believe in transformation. In the stage as a place where everything can change.
From Butoh to dance theatre, from the Theatre of the Absurd to physical experimentation, every project has been a constant search for new ways of telling stories. Today, with The Show Must Go On, written and directed by Franjá and performed by Domiziano Cristopharo, we take another step forward. Being finalists in the 2026 Monologue Competition at Teatro El Aparte in Las Palmas confirms that taking risks is worth it. That we can also inhabit drama, embrace silence, vulnerability and emotion without giving up our identity. We don't believe in labels. We believe in transformation. In the stage as a place where everything can change.
International Activity
- 01
Winners of the 2025 duologue competition at Teatro El Aparte de Las Palmas, with the jury prize for the performance SIN ROSTRO
- 02
Finalist of the 2026 monologue competition at Teatro El Aparte de Las Palmas, for the performance THE SHOW MUST GO ON
- 03
Presentation of CENIZAS at EL APARTE (Las Palmas) with sold-out audience
- 04
CENIZAS: Performances at Teatro Arte Olimpia in Madrid (sold out)
- 05
CENIZAS: Presentation in Barcelona, at the Bibliomusicineca
- 06
CENIZAS: New performance in Madrid at the cultural center La Tortuga
Video Art
Our video art work has been selected in several international festivals:
- 01
DOS: Sogni Elettrici (Bologna, Italy) - VOLTASH (Buenos Aires, Argentina)
- 02
SILENCIO: Sonic Vibrations (Riga, Latvia) — Video Art Festival
- 03
THE LAST COMMISSION: Best Makeup & Special Effects (FX) – Terror Film Fest (Teror, Spain) - Best Screenplay, Best Short Film – TIFA (India)
